Mp3 music: Roedelius

Artist: Roedelius: mp3 download    Genre(s):  Ambient Electronic     Roedelius's discography:      Evermore    Year: 2001    Tracks: 7      Jardin Au Fou    Year: 1998    Tracks: 16 From his early work with the pioneering Krautrock dance band Cluster to his after, more ambient solo recordings, Hans Joachim Roedelius remained one of the most groundbreaking and fecund voices in contemporary electronic music. Born in Berlin in 1934, he drifted through a series of unexpended jobs in the first place turning to euphony, later on collaborating with conceptual originative person Conrad Schnitzler in a series of experimental bands including Plus/Minus, Noises and the Human Being. In 1968, Roedelius and Schnitzler were among the co-founders of the Zodiak Free Arts Lab, a grouping of avant-garde artists from a diverseness of creative disciplines which immediate became one of the driving forces of the Berlin underpass scene; with Dieter Moebius, they formed Kluster in 1969, playing extended improvisational live dates throughout West Germany. Clump released their debut LP Klopfzeichen in 1970; in the wake of their third base album, 1971's Kluster und Eruption, Schnitzler exited to follow a solo career, and Roedelius and Moebius continued on as Cluster. Working with notable producer Conrad Plank, the duet began to move more and more towards more structured soundscapes -- with 1974's Zuckerzeit, they tied pursued an electronic pop wakeless similar in purport to Kraftwerk. Roedelius and Moebius as well teamed with Neu!'s Michael Rother in Harmonia, releasing a pair of mid-'70s LPs which caught the attention of Brian Eno, wHO in response collaborated with the iII on a legendary session (released much subsequently as Harmonia 76) heralding a turn towards ambient textures (and influencing the well-grounded of the 1976 Cluster album Sowiesoso). Roedelius and Moebius afterward worked with Eno on 1977's Clump and Eno and 1979's After the Heat as well. In the interim, Roedelius made his solo debut with 1978's Durch die Wuste; after Cluster went on abatement in the wake of 1981's Curiosum, he plunged amply into solo process, regularly cathartic several new LPs each class. Although most of these projects pursued ambient paths -- the multi-chapter Selbstportrait series, 1981's Lustwandel, 1987's Momenti Felici and 1992's Friendly Game all organism effective examples -- others like 1982's Offene Türen and 1992's Sinfonia Contempora I explored more dissonant electronic soundscapes. Additionally, Roedelius worked in a series of mediums including theater, dancing and pic, collaborating with everyone from Holger Czukay to Peter Baumann; in 1990, he and Moebius likewise reunited for Incidentally Cluster, and the dyad continued running together throughout the decennary to follow.